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ampandsound Red October Amplifier
I was in awe of the Red October within about five minutes of letting it warm up. Its presentation is exactly what I love, engaging, toe-tapping, fun, and tonally correct. It makes me want to sing along and it makes me smile. It is what HiFi is all about. It engages you and drives you to want to listen more. It has been a while since I have had that experience, and I am happy to have had it again. The Red October is not a cheap headphone amplifier, but when you compare it with other statement amplifiers, not only will you find that it sounds as good if not better, but you will also find that its price tag is actually cheaper then its direct competitors at the same performance level. This is not your first headphone amplifier, it could be, but I personally think you should start smaller. Instead this can easily be your last headphone amplifier, heck, I think it could even be your last speaker amplifier.
ampsandsound Bryce Monoblocks
The Bryce, much like all of Ampsandsound’s amps, has an incredibly dense, tactile, and sweet harmonic color. It’s flat enough and clean enough that this does not feel like an egregious coloration, and even fans of “solid state neutral” should not find this objectionable. Think of it less as a romantic veil over the music, and instead an inner liveliness and palpability. Having heard this same subtle but addictive tone across Justin Weber’s other amps, I feel confident in saying that the Ampsandsound iron is a big contributor to this.
ampsandsound Nautilus Integrated
The Ampsandsound Nautilus does this thing where even though an experienced listener can hear its departures from absolute neutrality, there is a pureness to the sound that is quite addictive. The simplicity of the circuit (that doesn’t allow for much in the way of correction back towards more mission-critical cleanliness) is what I think enables this purity. The Nautilus sonic signature of purity of tone AND a liquid tubey goodness is quite a different sound than that of a tube amp that has a pleasant musicality to it, yet a musicality borne of additive distortion and pleasing colorations.